William Conway is an internationally renowned conductor and cellist, whose performances have been described as ‘astonishingly convincing’ (Opera magazine), ‘a tour de force’ (Guardian), with ‘a flair for the unpredictable’ (Financial Times). On the podium, he is known for his conviction, clarity and intelligent musicianship, while his collaborations with Hebrides Ensemble, of whom he is the Artistic Director and founding member, have been praised for their fresh and inspirational approach to programming.
Born in Glasgow, Conway studied at the Royal Scottish Academy of Music then London’s Royal College of Music before returning to Scotland to take the position of Principal Cello with the Scottish Chamber Orchestra, a post he held for ten years. He is a founding member and Co-principal Cello of the Chamber Orchestra of Europe and has worked with many of the great conductors including Abbado, Berglund, Boulez, Karajan, Guilini, Haitink, Harnoncourt, Maazel, Nezet-Seguin and Rattle. He is a passionate advocate of contemporary music, is the dedicatee of several works and has commissioned and performed a huge range of new works from composers such as Sir Peter Maxwell Davies, Sir James MacMillan, Nigel Osborne, Stuart MacRae and David Fenessy. His work with Hebrides Ensemble, described by The Scotsman as ‘one of the most innovative and thrilling ensembles in Europe’ and now in its 28th year, underpins this commitment. By placing new music at the heart of a diverse range of repertoire, often in new and surprising contexts, Hebrides Ensemble encourages audiences to approach familiar music with fresh ears. His dedication to developing contemporary music has been recognised by an award from the Scottish Society of Composers for an outstanding contribution to new music.
As a conductor, he studied in Helsinki with Jukka-Pekka Saraste and was a finalist and prizewinner in the 1994 Leeds Conductors’ Competition. Since then, he has established himself as a conductor of versatility in chamber, symphonic and operatic repertoire, and has conducted the BBC Scottish Symphony Orchestra, Royal Scottish National Orchestra, Scottish Chamber Orchestra, Royal Northern Sinfonia, English Sinfonia, Chamber Orchestra of Europe (with whom he has made a CD recording released by Warner), and the Symphony Orchestras of Cairo, Sofia, Zagreb, de Filharmonie of Flanders, the Belgian orchestra Beethoven Academie, Teatro di Cagliari, Göettingen, and the American Phoenix Symphony Orchestra in all repertoires from baroque to present day.
He made his conducting debut at the BBC Proms last year in performances of Stravinsky's The Soldier's Tale. He has conducted many operas including Mozart's Magic Flute and Figaro, Verdi's Otello, Puccini's Tosca and Tchaikovsky's Eugene Onegin, the double-bill Cav/Pag, Puccini's Gianni Schicci to Nigel Osborne's Differences in Demolition and Sir Peter Maxwell-Davies's Martyrdom of St Magnus. He is a regular guest with many young orchestras including the National Youth orchestras of Scotland and Australia. He teaches conducting at the Royal Conservatoire of Scotland.
He is Music Director of Edinburgh Studio Opera and is Artistic Director and Head of Strings at St Mary’s Music School in Edinburgh. He broadcasts regularly on BBC Radio 3 and has recorded for Deutsche Grammophon, Linn Records, Unicorn-Kanchana and Delphian Records in a series of highly successful recordings of music by Judith Weir and Nigel Osborne. His recordings with Hebrides Ensemble of music by Sir Peter Maxwell Davies and Sir James MacMillan have both reached no 3 and no 1 respectively in the classical music charts.
Please enjoy a selection of my past and recent performances.
Act IV of Otello, conducted by William Conway
Emanuel Ax - Brahms - Piano Concerto No 2 in B flat major, Op 83
Mascagni's Cavalleria Rusticana
Edinburgh Studio Opera February 2020
R Strauss and Schnelzer oboe concerti with Francois Leleux,
Britten Four Sea Interludes
Aalborg Sinfoniorkester March 2020
Beethoven Symphony no 9
EUCO March 2020
The music [Cavalleria Rusticana] was stylishly directed by the steady hand of conductor Will Conway. Mascagni could not have hoped for better advocates than Edinburgh Studio Opera.
theedinburghreporter.co.uk March 2020
An inspired and satisfying evening of opera that not only delivers on an emotional level, but is likely to leave you hummimg the tunes on the way home.
alledinburghtheatre.com March 2020 ****
Will Conway is well practised at bringing out the best in young musicians, as was evident here with a fine performance [of Cavalleria Rusticana]-well integrated, fresh and lively
OperaScotland.org March 2020
14 of the very finest chamber musicians under the subtle directorship of cellist William Conway. Their playing of the demanding score was by turns commanding and achingly fragile with some superb solo turns
Scotsman November 2017 ****
Sir Peter Maxwell Davies Strathclyde Concerto no 2 for solo cello
Maxwell Davies wrote Strathclyde Concerto no 2 in 1989 for William Conway, the [Scottish Chamber] orchestra's principal cellist at the time. Back as soloist 27 years later, Conway's relationship with this formidable work has grown and deepened.....Conway's warm tones and beautiful phrasing emphasise the elemental nature of the concerto.....
Scotsman 5 stars ***** (December 2016)
The core of the evening was William Conway’s unremittingly-intense performance of the Second Strathclyde Concerto, a long, sustained and difficult work in which Conway found and did not let go of the soulful, lyrical and searching quality of the piece, while Max’s typical orchestral writing, sometimes dancing lightly, sometimes with the trumpets screeching, garlanded the solo line, which was an exploration of the soul through the body of the cello
Herald 4 stars **** (December 2016)
James MacMillan Since It Was The Day of Preparation
Directed by the work’s dedicatee, William Conway (who has, most effectively, the last word in the recording), the Hebrides Ensemble – each member of which is allotted a substantial solo in the interludes that punctuate the sung sections – provide eloquent testimony to the sustained impact of MacMillan’s writing.
Gramophone Editor's choice (July '16)
The orchestral playing under William Conway is excellent... The string-playing, in particular, is superb [Carmen]
5 star review All Edinburgh Theatre.com (February '16)
the orchestra (who were magnificent throughout)..For such a young company to produce a work of such masterful quality, with just as much energy and vocal strength at the end of the show as the beginning, sometimes you just have to be in awe. Bravo. [Carmen]
4 star review Assembly49 (February '16)
an unforgettable performance [of Verdi's Otello]
[performances] with conviction, honesty, respect and musicianship... This perfect mixture happened on October 23rd in St James's Picadilly.
Under the expert baton of William Conway we were able to hear every single musical line and the structure of the work was revealed in full.
Musical Opinion Quarterly Jan-March 2016
With the Music Director, William Conway wisely favouring swift tempos, [the performance of Otello] proved astonishingly convincing - and not just in the more intimate, transparent moments.
Opera magazine January 2016
Conductor William Conway [with Royal Northern Sinfonia] opened and closed the concert with Mozart: first a bubbling Marriage of Figaro..... it kicked the festival off with substance and style
St Mary's Haddington, Lammermuir Festival
The Scotsman 15 September 2014 ****
This was a fabulously characterised account of the [Soldier's] Tale, conducted by Will Conway.
Edinburgh International Festival
Herald 11 August 2014
Conway conducted the tight band [in] this wonderfully conceived and delivered performance [of Soldier's Tale].
Bachtrack 10 August 2014 *****
spell-binding performance, a complete joy.
Dundee Courier 11 August 2014
For this programme was as potent a theatrical concept as a musical one....designed by Artistic Director William Conway as a seamless, uninterrupted, thought-provoking meditation.
Scotsman 15 February 2014 ****
...sometimes it's a history lesson; sometimes it's contrasting perspectives on an idea; sometimes it's almost a theatrical experience. Such was the cleverness of....William Conway in this First World War-themed concert, that it took in all these things, and more. Best of all, despite it's dark subject matter, it refused to wallow in pity or nostalgia.
Telegraph 12 February 2014 ****
Once again Hebrides Ensemble's flair for programming, recruiting, preparation and performance ensured a life-affirming experience. So many wondrous voyages in the care of such a compact crew, extraordinary!
Bachtrack 21 October 2013 ****
Cellist William Conway weaving magic out of John Bevan Baker's artfully crafted Duo for oboe and cello
Scotsman 16 October 2013 *****
William Conway, an artistic director with an eye for intelligent programming-and, in this touring show, a flair for the unpredictable.
Financial Times 13 November 2012
given the track record of the imaginative and versatile Hebrides Ensemble, for whom predictability and run-of -the mill programming are anathema, let alone their previous successes .......true to Hebrides' form, the message was simply this:don't miss it.
Scotsman 13 November 2012 *****
inspired approach...a performance that combined moments of aching stillness with bursts of high octane ecstasy...they wrung every pore of emotion from Messiaen's magical score.
Scotsman 29 March 2012
The experience of hearing it (Messiaen Quartet for the End of Time) performed by Hebrides Ensemble..... was utterly transcendent....pure and ascendant....achieving a sublime quality of sound ....equalled by William Conway in the melancholic reverence of the fifth movement....
Northings 27 March 2011
Conway deftly released the deep romanticism inherent in music full of lively melody yet imbued with yearning
Herald 13 December 2011
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"William Conway, an artistic director with an eye for intelligent programming....a flair for the unpredictable."